War Dogs (2016)War Dogs (2016) 2. Pete's Dragon (2016)Pete's Dragon (2016) 3. The Secret Life of.The Secret Life of Pets; 4. The MeddlerThe Meddler. Want to watch this again later? Sign in to add this video to a playlist. The short film deals with the Post Rape Trauma that a Rape victim undergoes. Watch Movies Online Free without any ads. Watch your favorite movies online free on CyberReel. Discover thousands of latest movies online. Zero Silence, Mubarak Documentary, social media documentary, Middle East Documentary, Arab Spring Documentary, watch Zero Silence online free, Zero Silence docu. As an allegory of class rebellion and moral polarization, it proves just as biting as Bong Joon- ho’s sci- fi dystopia “Snowpiercer,” while delivering even more unpretentious fun. Yeon has displayed recognizably cinematic sensibilities in his last three indie anime features . Buyers for Asian- friendly genre products should clamber to board “Train.”SEE MORE: Cannes Film Festival. Despite the vibrancy of genre cinema in Korea, you can count the country’s zombie films on the fingers of one hand. But whether it’s alleged prototype “Let Sleeping Corpses Lie” rip- off “A Monstrous Corpse” or the more recent “Zombie School” (2. However, with a MERS epidemic sweeping South Korea in 2. In “Seoul Station,” Yeon depicted a homeless enclave inside the central train station as the ground zero of a zombie outbreak. While the anime’s excoriation of the police and army is softened in the live- action sequel, scenarios of humans and zombies precariously separated by carriages fittingly symbolize the dangerous gap between society’s haves and have- nots. Workaholic fund manager Seok- wu (Gong Yoo) takes his estranged young daughter Su- an (Kim Su- an) on the KTX high- speed train to Busan to visit his ex- wife. The last person to hop on is a teenage girl whose bare thighs are crisscrossed with bulging veins. Yet, passengers and train crew get more alarmed over a homeless man hiding out in the washroom . Once the infected girl claims the first victim, however, the action surges ahead with exhilarating mayhem, abetted by the claustrophobic layout of train compartments. The main reason zombies rank less scarily on the ghoulish scale is their slow waddling gait, but the resident evil here is so deliriously energetic and agile it’s like they’re powered by ginseng and soju. Yeon’s background in animation definitely lends their assault a cartoonish ferocity. The creatures’ only weakness is the fact they see poorly in the dark, giving rise to several mini- climaxes when Seok- wu exploits this to outwit them. Whereas in Hollywood disaster or apocalyptic movies, the chief protagonist tends to take charge and puts him or herself in the line of fire, Seok- wu subverts the clich. It is up to Su- na, with her child’s innate decency, and the burly but dauntless Sang- hwa to undo the financial go- getting, cutthroat attitude, so he can learn that it is cooperation and altruism that ensures survival in a catastrophe. Game.of.Thrones.S06E10.HDTV.x264-YST MP4 Fans of Yeon’s edgier animations may miss his remorselessly evil characters, whose misogyny, sadism and dirt- filthy expletives exert repulsive fascination. In their place, “Train” features something one never expected from Yeon . The only major villain comes in the form of a a middle- aged corporate weasel (Kim Eui- sang) who’s calculating cowardice is bland compared with the conmen, religious hypocrites or bullies in Yeon’s past works. But his ability to incite the passengers into callous behavior is instrumental in illustrating how mob mentality works. Given the sheer velocity of the action, some emotional connection is needed to prevent the film from turning into sheer technical exercise. Thus, Seok- wu’s gradual reform and other humane elements are essential to offset the insentient aggression of the zombies. Their sentimentality are also gleefully tempered by the jumpy, unpredictable script, which constantly teeters between nerve- racking and hilarious, as when Seok- wu hears his mother zombifying over the phone while still bitching about her daughter- in- law. Shooting in standard 1. Lee Hyung- deok plenty of room for nifty camerawork of stunts in unexpected nooks. Washrooms become thrilling battlegrounds and unlikely sanctuaries. An extended sequence in which the driver tries to switch trains is choreographed with the utmost suspense. However, like most Korean blockbusters, the production cannot resist showing off its visual and special effects clout, resulting in a bombastic stunt toward the end that’s incongruous with the film’s lean, gritty style. Likewise, the screenplay piles on the hysteria and the schmaltz in the last leg, and the hitherto restrained cast have no choice but to dial up performances to a borderline farcical level. Craft contributions are top- drawer, especially breakneck editing by Yang Jin- mo, who raises suspense to nearly unbearable levels. Music by Jang Young- gyu and sound effects by Choi Tae- young are both sparingly and effectively deployed for genuine shocks rather than false jolts. Reviewed at Cannes Film Festival (Midnight), May 1. Running time: 1. 18 MIN. Executive producer, Kim Woo- taek. Co- producer, Kim Yeon- ho. Crew. Directed, written by Yeon Sang- ho. Camera (color, HD), Lee Hyung- deok; editor, Yang Jin- mo; music, Jang Young- gyu; production designer, Lee Mok- won; costume designer, Kwon Yoo- jin, Rim Seung- hee; sound, Choi Tae- young; special make- up, Kwak Tae- yong, Hwang Hyo- kyun; special effects, Demolition; visual effects supervisor, Jung Hwang- su; visual effects, Digital Idea. With. Gong Yoo, Kim Su- an, Jung Yu- mi, Ma Dong- seok, Kim Eui- sung, Choi Woo- sik, An So- hee.
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